NOTES ON WRITING AND DRAWING

VISUAL METAPHOR: VIZTHINK AUSTIN 7-23-2008

Wednesday, July 23rd, 2008

ON VISUAL METAPHOR - AUSTIN VIZTHINK 7-23-2008

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Just got back from the third Vizthink Austin meetup. Daniel Saltzman of Enspire Learning gave a terrific presentation on visual metaphor. An excellent subject, as one of the most important and helpful bits I’ve learned about drawing and writing is that all marks on paper are metaphors.

Some equations:

  • the unknown <– metaphor –> the known = learning
  • love ≠ mediocrity

His steps to using visual metaphor in a design setting:

  1. Start with the content
  2. Find the emotion
  3. Consider your audience

Saltzman talked a lot about using metaphors from nature, and so I asked about clichés—whether they were good or bad. His answer impressed me: “when you’re short on time, use clichés.”

(And Kay Ryan popped into my head—”Poets rehabilitate clichés.”)

At the last meeting, I mentioned that visual thinking is nothing new: it’s a forgotten art, something we have to rediscover:

a forgotten art

Tonight Saltzman said the same thing: This is not something new, this is a return.

this is not new this is a return

Also: something weird happened while I was drawing—the first thing I drew on my notebook was the awful Austin traffic I had to sit through to get to the meeting…as I drew (roughly) counterclockwise, towards the end, I made a note about giving users the illusion of freedom by allowing them to move through space within a linear narrative (Saltzman was showing us an Enspire training module, but I immediately thought of the LucasArts adventure games of my youth). Anyways, just I drew the word freedom, I realized it was pointing at the traffic:

movement in space equals the illusion of freedom

What’s maddening about traffic? The lack of freedom! What gives the illusion of freedom? Weaving in and out of traffic—moving through space—while still following a linear path!

Behold, the power of mindmapping and visual thinking! The connections otherwise not made!

Other subjects touched on that merit further reading:

NOTES ON WRITING AND DRAWING

RILKE’S LETTERS TO A YOUNG POET

Monday, July 21st, 2008

"Ask yourself...must I write?" - Rilke

I’ve received a few e-mails from young(er) writers in the past couple of months, many of them trying very hard to figure things out and looking for words of advice and encouragement. Because I’m totally unqualified and ill-equipped to deliver them such words, I’m reading The Master: Rainer Maria Rilke and his Letters To A Young Poet.

Rilke was twenty-seven—still a young artist with his best work ahead of him—when he got a letter from a nineteen-year-old military school student named Franz Kappus. Kappus sent Rilke some poems and asked him for advice about becoming a writer. Rilke got lots of letters from aspiring artists, but Kappus’s touched him: Rilke had spent the worst five years of his young life forced by his parents into the same military school. And so o began a ten-letter correspondence lasting from 1902–1908.

In my opinion, the letters aren’t really letters, they’re diaries. Rilke saw himself in Kappus, and so they’re written from Rilke to Rilke—both to his past and his present. They begin with a description of Rilke’s current setting (various cities across Europe) and continue into the subject of how to live and how to create. Each is a map of where he’s been and where he needs to go.

There’s so much to take away from the ten letters, but here’s a short-list of questions a young writer might ask, with Rilke’s responses.

Is my stuff any good? Am I good enough to really make it as writer?

[You're asking the wrong questions!] There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity….

…But after this descent into yourself and into your solitude, perhaps you will have to renounce becoming a poet (if, as I have said, one feels one could live without writing, then one shouldn’t write at all). Nevertheless, even then, this self-searching that I as of you will not have been for nothing. Your life will still find its own paths from there, and that they may be good, rich, and wide is what I wish for you, more than I can say.

Rilke Answers What One Should Write About

What should I write about?

Write about what your everyday life offers you; describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds - wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories?

Can you send me some freebies?

…as to my own books, I wish I could send you any of them that might give you pleasure. But I am very poor, and my books, as soon as they are published, no longer belong to me. I can’t even afford them myself - and, as I would so often like to, give them to those who would be kind to them.

"Love your solitude" - Rilke

What about chicks?

For one human being to love another human being: that is perhaps the most difficult task that has been entrusted to us, the ultimate task, the final test and proof, the work for which all other work is merely preparation. That is why young people, who are beginners in everything, are not yet capable of love: it is something they must learn.

Okay, I must write—but how am I supposed to feed myself?

[....]

That’s a subject Rilke doesn’t really touch on. For a good 20th century update, I’d point to Hugh MacLeod’s “How To Be Creative.”

If you haven’t yet read Letters To A Young Poet, I highly recommend doing so. Get the the Stephen Mitchell translation.

X-MISCELLANEA

THE BUSINESS OF BEING BORN

Tuesday, July 15th, 2008

Mind Map of "The Business of Being Born" Documentary

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The Business of Being Born is a great watch. This map doesn’t do it justice. From IMDB:

While the United States has perhaps the most advanced health care system in the world, it also has the second-highest infant mortality rate of any industrialized nation, and many have begun to question conventional wisdom regarding the way obstetricians deal with childbirth. While midwives preside over the majority of births in Europe and Japan, fewer than ten percent of American mothers employ them, despite their proven record of care and success. How do American doctors make their choices regarding the way their patients give birth, and who is intended to benefit? Director Abby Epstein and producer Ricki Lake offer a probing look at childbirth in America in the documentary The Business of Being Born, which explores the history of obstetrics, the history and function of Midwives, and how many common medical practices may be doing new mothers more harm than good.

If you have Netflix you can watch it online. There were 2 or 3 water births
in the film, which Meghan and I had to go back and review because they were so amazing-looking.

All that said, Meg and I are going to go celebrate NOT being pregnant, and NOT wanting to be.

NOTES ON WRITING AND DRAWING

MIND MAPS: PICTURES AND WORDS IN SPACE

Tuesday, July 15th, 2008

space and design

Pictures and words in space:

What I’m trying to do when I make a mind map: I’m trying to construct a 2-D memory palace on paper. By making notes in a non-linear manner, by arranging images and words in space, I can SEE connections that would otherwise be impossible with just words written in sequence.

linear vs. non-linear

I use mind-maps for several things:

1) Brainstorming

COMICS + INFORMATION DESIGN

Generating ideas, rather than just preserving them.

2) Taking notes on books

MINDMAP OF MUSICOPHILIA BY OLIVER SACKS

(Oddly, I have only attempted non-fiction, never fiction. Not entirely sure why this is.)

3) Taking notes on documentaries

mindmap of THE CORPORATION documentary (part one)

4) Recording meetings and events

Vizthink Austin June 18, 2008 Sketchnotes

5) Remembering conversations

See all of my mind maps.

Note: this post was a response to the Vizthink prompt, “In what unique way do you use Mind Maps?

NEWSPAPER BLACKOUT POEMS

HARPERCOLLINS TO PUBLISH COLLECTION OF NEWSPAPER BLACKOUT POEMS!

Tuesday, July 8th, 2008

HARPERCOLLINS TO PUBLISH COLLECTION OF NEWSPAPER BLACKOUT POEMS!

Yep. You read that right. Here’s the official press release:

HARPERCOLLINS TO PUBLISH COLLECTION OF NEWSPAPER BLACKOUT POEMS

July 8—HarperCollins has signed Austin Kleon to write a collection of his popular Newspaper Blackout Poems for a book due from Harper Paperbacks in September 2009. Instead of starting with a blank page, the Austin-based writer and cartoonist picks up a newspaper and a permanent marker and eliminates the words he doesn’t need. Kleon’s poems, which he began posting on his popular blog, have been featured on NPR’s Morning Edition and in Toronto’s National Post, and have been widely linked to on the internet. In addition to original poems by Austin, the book will contain submissions from his fans which will be solicited through a contest on the author’s website starting in August.

Though he will be updating his site periodically, Kleon will be taking a break from daily blogging to complete the book. Check back on the site in August to find out how you can submit your entry and be published in the upcoming book!

For press inquiries, please contact Audrey Harris at 212-207-7185 audrey.harris@harpercollins.com.

This has been in the works for a couple of months, and it’s KILLED me not to be able to share it with y’all. But now you know. Couple of thoughts:

  • The book is going to be made up of completely new, never-before-seen poems. Although it isn’t out until Sept. 2009, the manuscript is due by the new year, so I’m going to be incredibly busy for the rest of the year making poems.
  • While I won’t be posting new poems for the next six months, there’s still going to be a lot of activity here on the blog. In August, I’ll have more details about the contest. (So get out your newspapers and start practicing!)
  • Obviously, this is huge, and Meg and I are really excited about the opportunity. But, to paraphrase Hugh MacLeod: I’m keeping my day job. The book might sell big, might not. In the meantime, I’m going to keep doing what I’ve been doing: writing, drawing, and blogging.

As always, thanks so much to all of you who read the poems, comment, and link to them. If it weren’t for you and your support, I would have given up what started out as just a writing exercise a long time ago.

Stay tuned!

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NOTES ON WRITING AND DRAWING

BRAIN RULES FOR STORYTELLERS

Saturday, July 5th, 2008

Brain Rules

Adapted from John Medina’s cool book, Brain Rules:

1. EXERCISE boosts brain power.

Moving around gets more blood and oxygen pumping to the brain, which gives you more ideas. (See Haruki Murakami’s essay on writing and running in the New Yorker.)

4. We don’t pay ATTENTION to boring things.

Elmore Leonard says, “Leave out the parts readers tend to skip.” Kurt Vonnegut called it “being a good date.”

7. SLEEP well, think well.

Get plenty of shut eye, and figure out when you’re most creative: it’s probably either early in the morning or late at night. NO ONE is creative during the mid-afternoon, and that’s why some of the greatest thinkers of all time were notorious for 3PM naps. (Salvador Dali napped with a spoon.) Hit a snag? Sleep on it: our brain is constantly working things out in our sleep. Keep a dream journal.

9. Stimulate more of THE SENSES.

Pictures and words belong together. Write by hand with a pen or paintbrush. Cut words out of magazines. Use a Sharpie and a newspaper….

10. VISION trumps all the other senses.

Words are seen, and stories are images.

12. We are powerful and natural EXPLORERS.

Even at an old age, our brain is still malleable. We can still learn new things and improve. It ain’t over ’til it’s over.

Links:

NOTES ON WRITING AND DRAWING

POETRY AS FLOW: CSIKSZENTMIHALYI ON THE PLAY OF WORDS

Sunday, June 29th, 2008

poetry equals crossword puzzles equals flow

While re-reading Mihaly Csikszentmihalyi’s wonderful book Flow: The Psychology of Optimal Experience, I came across this passage on working crossword puzzles. I think he could just as well be talking about making blackout poems:

There is much to be said in favor of this popular pastime, which in its best form resembles the ancient riddle contests. It is inexpensive and portable, its challenges can be finely graduated so that both novices and experts can enjoy it, and its solution produces a sense of pleasing order that gives one a satisfying feeling of accomplishment. It provides opportunities to experience a mild state of flow to many people who are stranded in airport lounges, who travel on commuter trains, or who are simply whiling away Sunday mornings.

Csikszentmihalyi then goes on to talk explicitly about poetry and writing:

What’s important is to find at least a line, or a verse, that starts to sing. Sometimes even one word is enough to open a window on a new view of the world, to start the mind on an inner journey….

And the joys of being an amateur (why leave it to professionals?):

Not so long ago, it was acceptable to be an amateur poet….Nowadays if one does not make some money (however pitifully little) out of writing, it’s considered to be a waste of time. It is taken as downright shameful for a man past twenty to indulge in versification unless he receives a check to show for it.

Read more about flow.

UPDATE (6/30/08): Weird timing: a reader from Tacoma, Washington messaged me and said her local newspaper, The News Tribune, is running a blackout poems contest. (I’ve archived the full text in the comments.)

Become a fan of the poems on Facebook

NEWSPAPER BLACKOUT POEMS

TEST REEL #2

Friday, June 27th, 2008

Test Reel #2 on Flickr

Same as Test Reel #1, but with a different poem at the end, and set to some of my own music so I don’t get sued by the Pixies…

Become a fan of the poems on Facebook

NEWSPAPER BLACKOUT POEMS

TEST REEL #1

Thursday, June 26th, 2008

Just a little experiment. Nothing to be taken seriously.

Test Reel #2

Become a fan of the poems on Facebook

SKETCHBOOK

BRAD NEELY ANIMATION SHOWCASE

Tuesday, June 24th, 2008

Baby Cakes

Doodle of Mark “Baby” Cakes done during the Brad Neely Animation Showcase

She was made out of the universe’s best ingredients….When I was around her, I felt like a goblin made entirely out of wicked genitals….I was free to love her! To show her what the inside of a poem looks like!Mark “Baby” Cakes’ Diary #4

Went with Meg, Adam and Marsha to a showcase of local Austin, Texas cartoonist Brad Neely’s animation at the Alamo Ritz downtown last night. 90 minutes of animated hilarity ensued.

How a simple slideshow set to music and words can engross us. How such simple drawings can pull us in to such a fully-formed world! The poetry of Baby Cakes. The beautiful difference between watching videos on your computer and in a darkened theater with a live audience.

If you’re not familiar with Neely’s work, here’s some links to get you started. Get ready for raunchy genius.

I’ll post some of my favorite videos in the comments below.