Just in case you wondered. Meeting her was a turning point in my creative life. And look: here’s a good portrait of her in the New York Times. Everyone go out and buy her new book next week.

Today the poems were featured on NPR’s Morning Edition:

Read Between the Lines to Find Texas Poet’s Verse
Morning Edition, May 9, 2008

Instead of starting with a blank page, poet Austin Kleon grabs the New York Times and a permanent marker — and eliminates the words he doesn’t need. He recently transformed an article about a piano concert into a poem that begins: “Forget about trying to speak … the image is the travelogue.” The newspaper ends up more black than white, and shows another way to read between the lines.

My wife and I are huge NPR junkies, so this was quite a Friday treat. Welcome to new visitors, and thanks again to everyone who’s spread the word about them! You guys are awesome.

PS. Did this one on the bus this morning.

My buddy Tim and I went to see writer Michael Chabon (”Shea as in stadium, Bon as in Jovi”) at Bookpeople last night. There were at least 100 people there. I picked up a copy of his beautiful new non-fiction collection with a Jordan Crane-designed cover.

During the Q&A, Chabon remarked of one of his characters, “He was too verbose and too Jewish.”

When he signed my book to “Meg + Austin,” I said, “Meg is my wife—she really likes your stuff.”

And Chabon (who seems like a really nice guy, by the way) joked, “Oh, and you don’t think it’s so hot?”

And I blushed and restrained myself from quoting his Q&A.

(Brilliant storyteller, but dang, he can be long-winded!)

Here’s Tim and I hanging out beforehand:

Good times!

PS. Wonder Boys is one of the greatest movies ever made. Not joking. And it has a kick-ass soundtrack. Go watch it.

PPS: The Amazing Adventures of Lethem and Chabon.

Welcome to all new visitors!

I stitched this together from two poems from my files…

“It ain’t cheatin’ if there ain’t no rules.”

Went to see John Pierson interview Matt Stone, co-creator of South Park last night at the Austin City Limits studio on campus here at the University of Texas. Here’s a little write-up. I took some crummy sketchbook notes—could not for the life of me figure out how to draw him, so I just drew him as Kyle.

I have a kind of sentimental attachment to South Park: it came out the summer after my parents divorced, and my dad and I used to sit around in his little apartment and watch it and laugh our heads off. Humor when we needed it.

So, it was a real pleasure to hear him speak about the show, and his collaboration with Trey Parker. His thoughts were funny and intelligent.

Some highlights for me:

• The show was originally supposed to be a “X-Files set in the mountains” with all the townspeople seeing aliens, etc. That premise got quickly worn out, but they kept the small town setting, which would later serve as a little microcosm for America, keeping the show continually fresh.
• Their method of cut-outs was born out of procrastination: they do each show in only a week, and the quickness of the whirlwind process keeps them from getting bored. Stone said he barely remembers the shows after they finish them. He quoted Danny DeVito as saying, “Movies are never finished, only abandoned.” (There’s a different origin to that quote, but it’s true for all art forms.)
• Stone said they always used to start a project by making a trailer first, and they’d use that to shop it around.

• He listed three things that make his job the best job in Hollywood:

  1. Complete creative control
  2. Working with friends
  3. Living five minutes away from work

  When you think about it, that’s the formula for any great job…

• Speaking of formulas, here’s the formula to most South Park episodes:
  1. A controversial issue
  2. Two extreme sides screaming at each other
  3. Kids stuck in the middle

  And again, when you think about it, that pretty much describes America.

Lots of other topics were discussed: Youtube, the original “The Spirit of Christmas” short, the Scientology Episode, the Britney Spears Show, lawyers, the 80s, the writer’s strike, Cannibal: The Musical!, and the genius Universal Studios Employee video.

Great, great event. Thanks to Janet for inviting me!

An arming scene of sorts:

Cutting strips of New York Times at lunch. (Thanks to Adam for the donation!)

This week I’ve been trying to teach myself Flash. Here’s a test snippet of something I’m working on…