Yesterday I finally got my hands on a real live copy of Steal Like An Artist. I know I’m biased and all, but man, this thing is cool. Workman did an incredible job—French flaps, heavy paper…I’m really proud. I can’t wait for February 28th to roll around so y’all can hold it, too. Available for pre-order now!
Christopher Hitchens said that “the great thing about writing a book is that it brings you into contact with people whose opinions you should have canvassed before you ever pressed pen to paper. They write to you. They telephone you. They give you things to read that you should have read already. [Putting out a book is] a free education that goes on for a lifetime.”
Published in 1929 by a writer and editor named Kenneth Banning, it was dedicated to “THE CENSORS who have taught us how to read naughty meanings into harmless words” and was supposed to be a demonstration “of the effect of censorship upon anything it touches.” If I’m not mistaken, it was even passed out to congressmen in the middle of the censorship debates.
It’s a very very funny book.
Anyways, Mike asked me if I’d do something with the book, and while I almost never read my poems publicly, I think this book is even better read aloud, so, with the help of my iPhone, I read a few at the show.
To close out 2011, writer and artist Austin Kleon discusses the myriad of ways he works to end the messy divorce between words and pictures.
Here’s a 30-minute interview I did with Jeremy Fuksa of The Cocktail Napkin, talking about Newspaper Blackout, Steal Like An Artist, and doing stuff online. (You can get it as an audio podcast—thank God—so you don’t have to look at my ugly face the whole time…)
“I’m sure partial to the evening,’ Augustus said. ‘The evening and the morning. If we just didn’t have to have the rest of the dern day I’d be a lot happier.”
“We were kids without fathers…so we found our fathers on wax and on the streets and in history, and in a way, that was a gift. We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves…Our fathers were gone, usually because they just bounced, but we took their old records and used them to build something fresh.”
“Small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught–nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!”
“All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story. You told it with a hint of doom. You included his flaws. You emphasized the obstacles that could prevent him from succeeding. That was what made the story epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn’t do this alone; they needed a coach. A good coach made you suffer in a way that suited you.”
“‘But, Dennis, do you think Mr Slattery’d be teaching it to us if it was really about anal sex?’ ’ What does Mr Slattery know?’ Dennis scoffs. ‘You think he’s ever taken his wife up the road less travelled?’”
“Cahill lived in the Flats with about twenty other guys in a place that used to be an Irish bar called Fado. At the back of the bar was the Cuyahoga River, good for protection since zombies didn’t cross the river. They didn’t crumble into dust, they were just stupid as bricks and they never built a boat or a bridge or built anything. Zombies were the ultimate trash.”
“Xerography—every man’s brain-picker—heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simple xeroxing a chapter from this one, a chapter from that one—instant steal!”
“Go for a walk; cultivate hunches; write everything down, but keep your folders messy; embrace serendipity; make generative mistakes; take on multiple hobbies; frequent coffeehouses and other liquid networks; follow the links; let others build on your ideas; borrow, recycle, reinvent.”