UPDATE: after two weeks of heavy use, I took my iPad back to Best Buy for a full refund. I really liked the device, but the dealbreaker for me was that it only worked with a projector during slideshows and videos. I couldn’t draw live for an audience on it, and that was the whole reason I bought it. This is a software issue that Apple locked down, and hopefully in future versions, the feature will be available. (Hey guess what? You can do this now in Sketchbook Pro.) In the meantime, I took that $600 and put it towards a Macbook Pro, my first new computer in almost seven years!

Of course, these instructions still work.

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iSplurged this morning: Meg and I took the dog for a walk over to the neighborhood Best Buy and I came out with a new iPad.

The first event of my Newspaper Blackout book tour is approaching in less than two weeks (Bookpeople in Austin! April 13th! 7PM! Come!) , and I’ve been racking my brains for a way to demonstrate the technique live.

Enter the iPad: not only can I use it for making a Keynote presentation, but I can use it to create blackouts digitally (I’d never tried this on my iPhone before, because I figured the small screen size would drive me nuts.)

Here’s how it works:

1. I fire up the NYTimes Editor’s Choice app, and find an article that looks interesting:

2. I take a screenshot.

3. I open up ArtStudio (I was hoping the Brushes app could import photos, but no such luck, and ArtStudio is on sale for 99 cents right now!) (Turns out, the Brushes app will be able to import photos in a week or so, and for now, I’m using Sketchbook Pro, which works amazingly well) and import the screenshot from my Photo Album.

4. I usually use just two columns wide of the NYTimes, so I erase the extra column and the top iPad bar:

5. I add a new layer, and use the simple pencil tool set on black to black out the words:

And voila! Just like that, the first Newspaper Blackout poem ever made on the iPad:

Will I only be making poems on the iPad from now on? Hell no. But it sure will be fun on book tour…

See all my iPad poems.

Note: I’m posting a poem a day until the Newspaper Blackout release. I missed yesterday, but I figure this makes up for it?

You can help the release by entering the contest to win a free limited-edition screen print or pre-ordering your copy today.

See also: “I Am So Over The Rainbow“

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I broke down and bought an Iphone yesterday.

Like any tool, first you get it, then you figure out what to do with it.

If you follow me on Twitter, you saw the following 3 images today, all taken real-time with the Iphone camera and posted online with Twitpic (#1, #2, #3) while I was making the poem.

When does the poem become the poem? When you make that first connection? (Here, it was linking “dead. Now what?” and “Wichita” and then finding “ding” in “including”.) When it’s completely blacked out, “set in stone”? What about leaving behind evidence that could point to other, better poems? Does seeing the process kill the magic?

All questions that popped in my head. Also: what else could we do with this?

What about crowd-sourcing? What if I got stuck on a poem, took a picture of the article, and asked Twitter what my next step should be? Who would the poem belong to?

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Pre-order the book

In neat little rows in Adobe Bridge (which has been a total life-saver):

This is just the “yes” folder. It needs to be whittled down to 150 or less and sequenced.

52 in the “no/maybe/blog” folder.

224 total.

It’s still 26 shy of my goal of 250, but there’s only a month until the manuscript is due, so I might have to just end up short. So it goes.

Here’s what the Photoshop grunt-work looks like:

Wish me luck.

Just a little experiment. Nothing to be taken seriously.

Test Reel #2

Here’s a little Friday treat: me messing around with video capture and Flickr’s new video features to show what goes into carving a throwaway panel…

About a million years ago my buddy Nate asked me if I would design him a tattoo depicting the Buddha-to-be sitting under the Bodhi tree:

Siddhartha Gautama, the Buddha-to-be, sits under the Bodhi tree and vows to reach enlightenment and break the cycle of death and rebirth. The demon Mara, who is temptation and death personified, attacks SG with his army in an attempt to thwart his enlightenment. In one fantastic scene, the arrows shot at SG miraculously turn to lotus petals mid-flight and rain down on him. After his army fails, Mara sends in his three hot daughters to tempt SG back to the world. Ultimately, Mara fails and SG awakens as the Buddha. This all happens over the course of one night.

And here I am, giving him a tattoo of the Buddha, but without the tree. (Or the hot daughters.) What kind of friend am I?

The real truth is, I couldn’t figure out how to put the tree in there without it totally overpowering the cool Buddha-to-be.

First, I started out with our best friend, Mr. Google Image Search:

Sketched:

I thought a kind of punky, badass young Buddha was appropriate for Nate:

Carved:

Now all we need is videos of the tattooing—if he decides to go through with it….

A few months ago, Jessa Crispin asked me if I wanted to submit a t-shirt design for the literary website Bookslut. So I said, “Cool, let’s do it.” Last week I finally got around to finishing.

I really didn’t want to go for the obvious slutty-girl-reading-a-book theme, so after about a dozen abandoned ideas, I sketched this one:

Decided Jefferson would be my muse (the pixellated color cartoon is from the wonderful 1993 computer game, DAY OF THE TENTACLE):

Tighter sketch:

Carved:

Thought ol’ Tom needed a companion:

Sketched her:

Carved:

No idea whether the design will actually get used, but there you go.

I did this for our IT department at the Law School. It’s one of those ideas I didn’t have to think about very much: if you walk around a law school at finals, you don’t see students doing much but tapping away at laptops.

A rough sketch for the general idea:

Start cutting and pasting stuff into Photoshop from Google Image Search:

Draw a (slightly) tighter sketch:

Carve:

Then see a much better-executed idea in the NYTimes:

I usually don’t talk much about my individual process here, mostly because I’m not sure who’d be interested, but today I thought I’d break with precedent and take you step-by-step through a recent project I did for my buddies in the band Hawkline.

Long story short, they saw my work on Calamity, said they were putting out an album called “Shipwreck,” and that my stuff might be a good match. So I said, “Cool. Let’s do it.”

I tend to look at everything through the medium of collage: all we’re really doing with art is taking things that we’ve seen and making something we can call our own. Borrowing. Stealing. Mixing. We take the words we know and put them into sentences. We take the notes we know and put them into melodies. We take the experiences we have and shape them into stories.

Etc.

I’d say that 90 percent of my process is fumbling around in a sketchbook, 10 percent is execution. In this case, they caught me in a brush phase, so I came up with this concept:

What did Picasso say? “Good artists borrow, great artists steal?” Well, I ripped that cover idea off of an old engraving I came across:

Anyways, the band liked the idea, but decided they wanted to put out an EP before the album. I thought I could do a lot better than the original design, so I started looking for inspiration. I remembered R. Crumb’s cover for Big Brother and the Holding Company’s Cheap Thrills:

Funny story about that cover: originally it was supposed to be the back cover for the album, but Janis liked it so much she had it put on the front. But anyways, I liked the way the artwork was splintered into comic panels, so I said, “Okay, sure — I’ll rip that off with woodcuts.” I began doodling on post-its for a layout:

At this point, I thought I had a good idea of where the cover was going, so before making a bunch of artwork, I decided to finish their logo first. A couple of months back I had already doodled some logos while staying at Corey’s house. Hawkline’s sound is pretty muscular, so I wanted something stark and simple. (Something that would look good on a sticker or a tattoo.)

There just happened to be a Ketel One Vodka ad staring up at me from the back cover of a Rolling Stone:

Now, the font that Ketel uses is just a font called Bradley, that all kinds of places use:

So I ripped that off:

And came up with a final version. Keep in mind, I’m hand-lettering this:

I liked that a lot, so I thought I’d just do the title of the EP in the same font as a kind of anchor for the cover. I also played around with layouts, drawing a bazillion thumbnails:

Now that I had the layout pretty much figured out, I concentrated on the final artwork. I found these cool woodcuts by an artist named Kim Atkinson:

With those as inspiration, I finished the front cover:

Now to the back. The band members said they’d be interested in having me cartoon them, so I had them send me some mugshots:

Which I used to doodle caricatures:

I thought the idea of a band playing in a lifeboat was a fun one, so I used that and hand-lettered the information they wanted listed for the back cover:

I have to admit, I almost like the back cover more than the front. Since the cover and the back were so busy, I thought a simple CD design was the way to go:

So there you have it. Hope that wasn’t too terribly boring. Check out Hawkline. The guys have my favorite song, “Stop Your Cryin’,” [MP3] streaming on on their myspace.