If you can create a process that short circuits some of your own worst habits, and you really believe in that process, eventually you’ll get a sweater, a nine-foot painting, chicken enchiladas, a Web site, a marathon.
“To spark my creativity…I often re-use pieces from my other works .. basically collaging my own stuff…”
The comic strip is the definition of quotidian: it comes out everyday, you read it on the toilet, it just weaves itself into your everyday life. It’s about little details. It’s not about grand sweeping dramas. Graphic stories are able to show incidental life without having to describe it.”
— Alison Bechdel on the everyday in comics
I’m passionate. I’m disciplined. I play a lot…[When I sit down in front of a blank piece of paper or a blank computer screen,] I do a mark on the page, whether it’s virtual or actual paper. Once there is a mark, there’s no fear of not drawing something. It’s a funny thing, but it works every single time…
The way I work nowadays usually is…I don’t really draw a lot….I’ll go months without drawing, but I do keep a notebook…and write down dreams or ideas I have for stories. I just kind of keep filling in those pages and six months or eight months or twelve will go by and I’ll start to panic and I’ll say, ‘I’m never going to do another King-Cat,’ and then at some point…all this work that didn’t really make a lot of sense the day previously, it all just kind of comes together and I’ll think, ‘Ah, this is what the next issue’s going to be,’ and I’ll sit down and I’ll write the stories. I’m a person who allows myself some leeway. If a mistake happens in a comic or I sit down and draw and it takes me off on some tangent I didn’t anticipate, I’m open to following that wherever it may go. But I do usually have it pretty well thought out. But at this point I just see the comics in my head before I ever draw them. So when I have that thing kind of put together, I’ll draw intensely for a period of a couple weeks or a month or so. My comics are so simple, it’s a lot of work that goes into them before the drawing point, but when I actually sit down and draw them it actually goes pretty quickly. And then I’ll put it together, sit down with the pages, edit things and try to make an issue kind of cohesive. Nowadays, it’s still a kind of random thing for me, but I do try to kind of have the issue be a cohesive thing, like an album where these are independent songs but if you take them as a whole they’re a unified expression.
— John Porcellino
I am more greatly moved by people who struggle to express themselves….I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.”
— Daniel Day-Lewis
hawkline is the name of one of the bands that my buddy corey drums in. i was trying to come up with a logo for them.
